Rasathantram Malayalam Movie

Premachandran (Mohanlal) is a carpenter who lives along with his father, Balan Master (Bharath Gopi), and works along with his friend, Manikandan (Innocent). They are now working on a house near the house of a rich landlord. Kanmani (Meera Jasmine), who was sold by her mother, works in that house as a servant and is ill-treated. Seethamma (KPAC Lalitha) lives along with her daughter, Kumari (Muthumani), who has a liking towards Premachandran. One night, Premachandran goes to his workplace to take his tools. He sees Kanmani leaving the house and is puzzled. He follows her. She was on the verge of committing suicide when Premachandran rescues her. He gives her shelter in one room in a building owned by Chettiyar (Oduvil Unnikrishnan), telling Chettiyar that his friend did not get the bus to go back home. Kanmani dresses up as a boy by the name of Velayithun Kutty and soon starts working with Manikandan and Premachandran. Balan Master starts liking the disguised boy. One day, Premachandran tells Kanmani that he has planned to rescue her by sending her to Tamil Nadu to work in a banian company where Premachandran's friend is working. Kanmani refueses to go. Premachandran accidentally confesses to Manikandan that Velayithun Kutty is actually the missing Kanmani. Manikandan has no peace and shouts out the truth in the middle of the night. Two policemen, accidentally hear this and take Premachandran and Kanmani into custody.

Kanmani tells the court that she and Premachandran are in love and intended to elope. She said this, to avoid imprisonment. Soon, Kanmani develops an affection towards Premachandran. Premachandran tells her that she doesn't know anything about him and that he is an ex-convict in a murder case. Actually, Premachandran's friend Sivan (Mukesh) murdered a hooligan who abused Premachandran's sister. Kanmani now agrees to go to Tamil Nadu, but Premachandran doesn't let her go and admits her in a hostel. Premachandran's brother, Siddique, comes to the fray and asks Balan Master to attend his daughter's marriage. He asks that Premachandran not come. Actually, Balan Master & Premachandran are living far away from home because of the bad nature shown by Premachandran's brother and sister. Balan Master is not willing to go without Premachandran. Premachandran who loves his niece as his daughter changes Balan Master's mind, by going with him without anybody knowing he is there. On returning, they see their rented house being destroyed. Balan Master takes shelter in a old age home headed by a retired Colonel until a new house can be rented. Premachandran goes to Kochi to meet Sivan - who is now a business tycoon, but Sivan doesn't meet Premachandran's needs. On returning, Premachandran finds out that Balan Master is dead. He performs the ceremonial rites and goes to Kanmani. Meanwhile, Kanmani's so called uncle (Jagathty Sreekumar) - who wants to marry Kanmani - and his sister have court orders to take Kanmani back to Tamil Nadu. But, Premachandran grabs the "thali mala" from Jagathy's character, ties the knot on Kanmani and subsequently marries her.

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Ramji Rao Speaking Malayalam Movie

Balakrishnan (Saikumar) is an unemployed youth trying to pay back his and his late father's debt to Hamsakoya (Mamukkoya), who needs money to pay for his sister's dowry. Balakrishnan loses his job opportunity to Rani (Rekha) and tries to take it back from her but later stops realizing that she has her own problems with family illnesses and poverty. Gopalakrishnan (Mukesh) is also unemployed and is trying to make his mother proud of him by saying that he has a good industrial job in Calcutta and has plans to buy a new house. Both Balakrishnan and Gopalakrishnan reside in the house of Mannar Mathai (Innocent), an artist financially unable to start a career in theater. As the three of them try to forget their problems with alcohol, a bandit named Ramji Rao (Vijayaraghavan) mistakenly calls the wrong number claiming he has kidnapped the daughter of a rich business man Uramees Thamban (Devan). Seeing an opportunity for money, the three of them come up with their own plan to impersonate the bandit and collect the ransom themselves. They planned to get the four lakhs from the father first and use part of the money to pay the ransom to Ramji Rao, get the daughter and then hand it over to the father.

However the plan goes wrong when a police officer who is family friend of Uramees Thamban gets wind of the kidnap and tries to intervene. The film ends in a chaotic climax with the Urvashi trio, Hamsokoya and his friends, Ramji Rao and his gang fights for the money and the little girl. Finally the three manages to escape with the money and hands over his daughter to Uramees Thamban. Ramji Rao and his gang are arrested. Meanwhile Gopalakrishnan is separated from the other two who believes that he ran away with the whole amount. In anger, they inform the police of their whereabouts. Soon Gopalakrishnan returns having used the money to pay off Hamsakoya and to pick up his mom. Before the heroes could act, the police arrives to arrest them. Rani arrives there as well. As the heroes are being taken away, it is strongly implied that Uramees Thamban, who is happy with the help they rendered in getting his daughter back, will help them to fight the case

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Parunthu Malayalam Movie

Parunthu is a feel-nothing movie that tries too hard to find its way into your heart. And in its frantic attempts to do so, it presents before us an outrageous premise and then fails to make us believe it.

Parunthu Purushothaman (Mammootty) is a hawk-eyed moneylender with a particular penchant for hot cash. There are quite a few families that have taken to the streets as the ruthless monster stealthily descends on them, as a falcon in hot pursuit of its kill. Purushu doesn’t think twice before rudely barging into a wedding and messing it all up, even as the bride Rakhi (Laxmi Rai) and her sister (Kalyani) gape speechless. In a mad fervor to crush the world under his feet, Purushu goes about waging a losing battle against truth, honesty and integrity.

The male leads in all of Padma Kumar’s films have thick streaks of villainy running through their veins. They are seldom champions for a just cause until brought in confrontation with a bitter truth that wholly rips them apart. In Parunthu it’s no different, and yet the makeover is terribly unconvincing due to a succession of events that are redundant, stiff and colorless. While the basic idea is an interesting one, two and a half hours of monotony is a bit too much to ask for its disclosure.

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